
The Truman Show (1998) ★★★★⯪
Another classic that I have somehow never watched. Obviously, I knew all about this film before sitting down to actually watch it, and of course I loved it. Jim Carrey was fantastic at playing a character who is slowly loosing his mind, as he always is. I watched this with my little brother and he really enjoyed it too. It was a little weird to try to explain to a kid that the town Truman is living in is fake and pointing out where all the hidden cameras are. I don't think it hits as hard as it did in 1998, cause... there are cameras everywhere now and everyone is always being recorded nowadays.
Project Hail Mary (2026) ★★★★★
A film I will forever wish I got to see in theatres. The visuals are amazing and so are the characters. I like how limited the cast is. I know we spend most of the film with just Rocky and Grace, but even in the Earth flashbacks, there is only a handful of characters we meet in Grace's memories. It makes each of them feel more impactful to the plot and how Grace remembers himself and his mission. I also think it adds to the isolation Grace feel throughout, not only is he alone, but he's so disconnected that he only has this little capsule of memories that are themselves separate from the rest of Earth's population. The people he does remember are all either dead or living on a boat in the middle of the ocean. Insolation upon isolation.
Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D (2026) ★★★★★
Watching this was like experiencing the concert all over again. I find any live music very moving so I was crying all throughout watching this. I shouldn't be surprised really, when I saw Billie on tour in Manchester last year, the song that got me to start crying was Lunch, not even a sad song! I once cried at a performance of The Four Seasons, so I guess anything can set me off. I will say, I didn't think the 3D element was going to be necessary, but all the wide shots of the audience behind Billie on stage did make it feel more immersive, so I don't think it went completely unutilised.
Green Vinyl (2004) ★★★★☆
I saw this short film in the MUBI tent at The Hay Festival, along with the next two films as well. I love the format of this film, the sort of stop motion look, along with the disjointed audio, really added to the eerie feel. This kind of reminded me of a childhood bedtime story, a little tale that wasn't intended to be scary, but your childish imagination twists it until it becomes something so horrifying, you have to stop yourself from thinking about it at night. It's a very simple narrative, bare bones, but is very evocative.
Incoherence (1994) ★★★★⯪
This is a vignette, four section short film, by Bong Joon Ho. I liked it a lot, but one of my friends did not like it at all, which I found interesting. I think my favourite section was the second, where an old man is on a morning run in a residential area, and on his way past a house, he steals some milk that had just been delivered, and then a newspaper straight from the paperboy by lying and saying he's the resident of the house behind him. He then spends the rest of his screen time running from said paperboy after he gets in trouble for supposedly stealing the milk from the house he was delivering the paper to. I liked the sped up shots of them running and then the slow panning shots to the alley where they then appear next. You can watch it here on YouTube with English subtitles.
Zama (2017) ★★★⯪☆
I couldn't weigh in on the historical accuracies of this film, but I can say it was one of the most immersive films I've ever watched. Every single thing, from the costumes to the sets to the scenery, felt like it was pulled straight out of the 18th century. Another layer to this immersion is that I watched this during the first heat wave we had in the UK this year, so it felt as though I had been pulled into the inescapable heat that is depicted on screen. It's a very slow film, but the main character, Zama, spends the whole film waiting for one thing or another, which would allow him to finally leave Argentina, so I do think that's the point.
Backrooms (2026) ★★★★★
I have been a massive fan of Kane Pixels' Backrooms since about October of 2022, when I first discovered his YouTube series about the Backrooms. This was one of the first things that really got me into horror as a genre. I was obsessed with the found footage medium at the time, as I then went on to watch Marble Hornets, Blair Witch Project, Paranormal Activity, and it's three progressively worse prequels. I loved the YouTube series dearly and was very excited when I first heard about the film deal Kane made with A24. I saw the film two days after release with absolutely no spoilers ahead of time, which I'm honestly surprised I pulled off. I loved the film, I think it was a great expansion of what the YouTube series set up, with a more fleshed out and resolute vision that works for the film format. I loved all the characters. This is another film with a very small cast, which I think works well against the infinite, sprawling architecture of the Backrooms. It makes it feel even more massive, as well as making you feel even smaller in your singularity as you watch. I liked the loose references to the YouTube series in the film. There were certain scenes where, from watching the YouTube videos, I had a good idea of the direction the scene was gonna go, but was still surprised by the eventual outcome. It felt more like a nudge nudge in joke, instead of a shot for shot scene taken straight from the YouTube series, which would have stood out from the rest of the film. I like the idea of the Still Lifes that we see at the end, but they did sort of feel like an excuse to have a Big Bad and a chase scene. Like, it's a really cool idea, but I can see how they already had the starting point of The Lifeform from the YouTube series, and had to sort of work backwards to come up with Captain Clark. I feel the same way about including Async now that I think about it. Of course, I do want the sciencey/ research element to be included, but with how the first 80% of the film is formed with Clark at the forefront, it felt like Async was only included because it was already there and they thought people would be pissed if it wasn't in the film. Overall though, I absolutely loved this film and can't wait to see what Kane does next.











